Al Adamson Double Feature: Five Bloody Graves/Nurse Sherri
| DVD Release Date: |
July 10, 2007 |
| Approximate Run Time: |
88/88/85 Min |
| Aspect Ratio: |
1.33.1 Fullframe |
| Rating: |
R |
| Sound: |
Dolby Digital Mono |
| Region Code/Format: |
Region 1 |
| DVD Released by: |
E.I./Shock-O-Rama |
| Retail Price: |
$19.99 |
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| Reviewed By: |
Ian Jane on January 17, 2008 |
Quick Links [video] [audio] [extras] [overall]
While the late Al Adamson was murdered back in 1995 under some rather bizarre circumstances, his equally bizarre filmography lives on thanks to the magic of home video. Shock-O-Rama cashes in on the ‘grindhouse’ trend that’s been popular in genre circles since the Tarantino/Rodriguez film of the same name with a double shot of Adamson films – a western called Five Bloody Graves and a possession film called Nurse Sherri. FIVE BLOODY GRAVES Ben Thompson (Robert Dix) is a rogue gunfighter who wanders from town to town until he finds out that an Indian named Setago (John Bud Carlos) has been slaughtering innocent folk trying to farm the lands. When Ben discovers this he does his best to warn an ex-girlfriend of his named Nora (Vicki Volante) and her family but he winds up having to take matters into his own hands. When a group of burlesque dancers and an elderly man of the cloth (John Carradine) need to be escorted through a valley Ben is brought on board to make sure they make it there alive, but of course, once Setago finds out about the caravan he and his men attack... Five Bloody Graves is a bad film even by Al Adamson standards. Not much really happens for the first hour or so of the film and it isn’t really until Ben has to escort the ladies through the valley that things pick up. By that point, you probably won’t care what happens to Ben or his new friends, you’ll instead be reaching for the remote so that you can put something better on. The effects are bad, the costumes unimpressive (most of the native Indians are obviously played by white dudes in bad make up) and the finale is far from grand. The result? The film is boring. It had potential and Robert Dix and John Carradine are fun in their respective roles but so little actually happens in this film that it’s just flat out dull and rather difficult to pay attention to. The only redeeming quality that Five Bloody Graves has going for it is some truly wonky narration courtesy of Gene Raymond, speaking as if he were death incarnate, and going on and on about how Setago and Ben are acting as his messengers on the Earthly plain. It’s not that the narration is particularly good, it’s just that it’s so flat out strange that it almost makes the movie entertaining. Almost, but not quite. NURSE SHERRI Thankfully the second feature on the disc is a little more fun. A cult leader named Reanhauer (William Roy) drops from a heart attack while trying to resurrect an evil corpse and he dies at the hospital later that night. Reanhauer isn’t going to go down without a fight though, so once his body passes on he sort of transplants his evil spirit into the nubile frame of Nurse Sherri (Jill Jacobson). Once he’s got his evil mojo working in its new home he uses Sherri’s body to kill of the doctors who let him die on the operating room table. Once that’s over with, the possessed Sherri is driven to other odd behavior which earns her the attention of some of her co-workers, like Nurse Tara (Marilyn Joi), who ultimately decide that something must be wrong with her and that she obviously needs their help. A strange blend of Corman’s sexy nurse films like Candy Stripe Nurses and supernatural movies like Carrie, Nurse Sherri is as poorly made as you’d expect from one of Adamson’s knock off films but it’s not without its low budget charm. The sets are really limited and almost everyone over acts to a pretty severe degree but the movie is a fun and trashy little picture that is at least fairly entertaining despite some pacing problems in the first half. Jacobson and Joi have both got an interesting and appealing screen presence that gives the film a bit more oomph than it would have otherwise had while Roy makes for an unusually goofy villain resulting in some unintentionally funny moments involving his character.
Five Bloody Graves is presented on this disc in a fairly lousy looking fullscreen picture, noticeably cropped from its original 2.35.1 widescreen aspect ratio. It doesn’t look so hot and it’s obvious that a fair bit of picture information is missing. Print damage is evident throughout along with heavy grain and speckling. Colors are ok in some spots but faded in others. In short, the movie looks fairly crappy. Nurse Sherri definitely fares better as it’s probably a safe bet that the 1.33.1 fullframe presentation for this film presents the movie in its OAR. In terms of the picture quality, the image is a bit stronger but not a whole lot better looking than the first film in the set. Scratches and mild print damage are present throughout and the colors vary from scene to scene. Both transfers are watchable and they definitely retain a drive-in feel, but it’s a shame that the first film is so cropped – even really bad movies should be seen as the director intended!
Both films are presented in their original English language tracks in Dolby Digital Mono. Quality is a bit rough in some spots, you’ll pick up on a few variances in the levels as well as some hiss here and there but aside from that there aren’t any problems following the dialogue. Things sound a bit flat and muffled in spots but understanding the performers is never a problem.
What makes this release completely worthwhile for the exploitation buff are the two audio commentary tracks provided by producer Sam Sherman who goes into a fair bit of detail about the history of each film as well as his relationship with the late Al Adamson. The Five Bloody Graves track also contains audio snippets from Robert Dix that were recorded a few years ago, spliced in with Sherman’s thoughts. Both commentary tracks are quite interesting as Sherman talks about the films that he and Adamson were influenced by and what fads they were trying to cash in on with these two pictures. Sherman also details casting issues, location shooting and more – these are essential tracks for fans of the Independent International catalogue. Also on the first disc is a quick four-minute deleted scene from Five Bloody Graves (which appears in widescreen) that is more or less an excised encounter between and man and a women wherein the get to know one another in the biblical sense. Rounding out the first disc is a series of trailers and concession stand spots in addition to some nifty animated menus and chapter selection options. But wait, there’s more! The second disc in this set contains the alternate eighty-five minute cut of Nurse Sherri which more or less tells the same story in a shorter version that contains considerably more sex and sleaze than the lengthier eighty-eight minute cut on the first disc. It also omits one of the subplots and trims a few scenes here and there and it contains different closing credits. This probably won’t change your mind about the film but it is definitely interesting to see how different the two versions of the movie really are. A great thirteen-minute on camera interview with actress Marilyn Joi is also found on this disc and it’s a treat for fans to hear her reminisce about her time in the film industry and about working with Al Adamson on this film. This interview was previously issued on E.I.’s Blazing Stewardesses disc. More trailers and concession stand ads are found here, alongside menus and chapter stops. Inside the keep case are some interesting liner notes from Chris Poggiali and David Konow that more or less transcribe a conversation between the two writers which details their love of exploitation films and the two pictures contained in this set specifically. It’s a fun read and the booklet contains some nice promotional art.
Despite the fact that Five Bloody Graves is a crappy film and that it’s seriously cropped the Sherman commentary makes this worthwhile as the inclusion of both cuts of Nurse Sherri, a reasonably entertaining trash film that again includes a Sherman commentary. Fans of Adamson’s output will know what to expect and likely want to add this to their collections.
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