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Roxanna
DVD released: August 6, 2002
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| Quick links: [video] [audio] [extras] [overall] |
| The Film |
| 1970 Pre-dating Deep Throat by a couple of years, Roxanna is classic softcore in the freaky 70s tradition and unlike most ‘modern’ pornography; it’s void of any hardcore scenes. But while most of the films of this genre and from this decade are basically just fluff, Roxanna stands out with it’s genuinely unsettling tale of a (possibly) drug addicted girl who finds more than she expected with her first lesbian encounter. She becomes so enthralled with her experience that when her lover (played by Uschi Digart of two of the Ilsa movies as well as Black Gestapo) leaves her, she finds herself needing to fill the void that’s been left. She does this by basically taking her sexual experiences to more and more outrageous extremes. Encounters with a strange man, a domineering transsexual (who doesn’t appear to be anything more than all women, but I digress), thigh high boot foot fetish action, and even candle fellatio all end up on Roxanna’s carnal menu. The film ends as it started, with scenes of Roxanna, naked and screaming to herself, tearing out her hair, and evidently locked in a white room that looks very much like it’s supposed to represent an institution. She’s there because her sexual appetite has gained her nothing, and because of this, she tries to take her own life. This is one of the most unusual films of this nature that I’ve ever seen. There is no dialogue ever during the movie, only narration; done in a strange ‘jivish’ beat style, over top of one of the best 70s scores I’ve heard. The movie is filmed from bizarre angles that only go to accentuate the genuine weirdness that permeates every part of this film. Roxanna is basically an artsy porno with morals. Movie:
3/5 Movie: 1.5/5 |
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| Video | 3/5 | |
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| Audio | 2/5 | |
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| 1970 Apparently the original negative for the first version of the film was severely damaged and the audio for the film had to be totally re-scored and re-narrated using a transcription from the original. There is hiss evident throughout the production and the audio track is pretty basic. However, special note has to go to the films score, which is excellent. Even though it isn’t the original soundtrack to the film, it fits in perfectly with the movie and totally helps to make the movie as bizarre and swanky as it is. It would have been interesting if Seduction Cinema had included the original track, even if it was damaged, just to compare the two, but the track that they have provided really does bring the movie up a notch on the ratings scale. 2002 The audio here is of pretty much the same quality. A lot of the same music is used in this version, but for some reason, it just doesn’t feel as ‘right’ as it does in the original. Dialogue is pretty easy to understand and the track more or less serves the movie well. This is a low budget softcore film after all, and it would be unrealistic to expect a great surround track from something like this. Unfortunately, the hiss that was evident in the first version is also evident here. |
| Extras | 3.5/5 | |
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| In addition to the two feature
films, Seduction Cinema has included a shot on video short entitled
Despair, directed by Mark Baranowski. It’s a 35-minute piece about a
married couple and their last day together before they both commit
suicide. Baranowski and his wife, Ryli Morgan, co-star in this odd piece
that ends up as a rather confusing and depressing work. There is also a commentary for the 2002 version of Roxanna, with director Ted Crestview and actresses Misty Mundae and Darian Craine. Unfortunately, Mundae and Craine don’t get to say much, as Crestview seems to want to hog the spotlight for the duration of the track, but at least it’s mildly interesting. I can’t say that I’ll listen to the track a second time, but it was worth listening to once for sure. Up next is a great, albeit too short, interview with ‘42nd Street Pete,’ a self proclaimed expert on 70s porno movies. Pete takes us on a short trip through time back to the era where grindhouse cinemas were common. It’s an interesting jaunt, and Pete seems to be very fond of the material he discusses, but unfortunately, it’s too short, coming in at just under 7 minutes. He does provide some interesting facts about Nick Phillips and the theaters where his work played, just not enough of them. Finally, Seduction Cinema has included a wealth of trailers for Mummy Raider, Playmate of the Apes, Erotic Vampire in Paris, Inga, The Seduction of Inga, The Possession of Nurse Sherri, Master’s Plaything, Female Animal, Naughty Stewardesses, 2069: A Sex Odyssey, The Sexy 6th Sense, Vampire Obsession and The Erotic Mirror. |
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| Overall | 4/5 | |
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| The original version of Roxanna is
definitely worth a look for those with an interest in the sleazy cinema of
the 70s, and it stands out as a genuinely weird piece of work that despite
it’s content is not without artistic merit. The remake is rather bland, but I’m sure Miss Mundae’s fans will find much to like about it if only for her presence in front of the camera. To order this disc, check out www.xploitedcinema.com |
| Film Rating | DVD Rating | |||
| Directors: | Nick Phillips, Ted W. Crestview |
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| Writer: | Nick Phillips, Ted W. Crestview |
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| Released: | 1970, 2002 |
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| Cast: | Uschi Digart, Misty Mundae, Darian Caine, Katie Jordon, Louise Thompson |
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