RABID is David Cronenberg’s answer and
homage to horror films like that of
Night of the Living
Dead. A wonderful modern horror film that not only reminds me
of DEAD, but also the 50’s horror films as well. You can say that
RABID is SHIVERS meets
THE CRAZIES.
However you want to associate it, RABID is an extraordinary early feature
from Cronenberg that displays all of his trademarks: mutation and
exploration of the flesh, the existential approach towards civilization
and the manifestation of the dark psyche of the human spirit. One of
RABID’S greatest assets and surprises, intentional or not is
Marilyn Chambers, the famous Ivory Snow commercial actress who became
infamous for her venture into adult films. She is perfect for the role in
RABID – I could not think of anyone else who would better
suited for this picture. The very realization of her porn status adds even
more to the atmosphere and seduction in the film.
You can’t help but be pulled into the world of RABID. It has
an unsettling mix of locations and ambiance. It shows the effects of
modern society and the struggles of classes in a most unsettling way. Its
photography, color schemes and set designs are well designed and suited
for the story. The music is mostly stock music that really jars you, for
it is not the typical sound for a picture of that time, more like that of
the 50’s monster film – most effective in creating more uneasiness in the
viewer.
I’m purposely refraining from giving the synopsis for
RABID, not because of some plot twists and turns, but because
you really should walk into this Cronenberg film fresh; it really creeps
up on you that way. RABID is a must for the horror
collector. |
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